A few weeks ago, I told you how easy it is to get great photographs by shooting outside on an overcast day. Well, we can’t always get outside, can we? Whether the weather is bad or we don’t want to move all our stuff, there are times when it just makes more sense to stay indoors. But that doesn’t mean that lighting has to be complicated, or that you can’t get a great shot with a very simple setup.
For today’s example, I’m going to use one of wife’s doll dresses that she sells on Etsy (shop name PattiKuz). She creates her own designs, makes her own patterns, does all the sewing and ironing, and then shoots most of her work indoors. Here’s a sample of one of her dresses. Take a look, we’ll discuss it a bit, and then I’ll tell you how it was done.
Here’s why I like this photo:
- the camera had no problem using automatic white balance
- the colors came out very natural-looking (right out of the camera with no adjustments)
- there are no harsh shadows
- there is no glare
- the contrast is spot-on (again, with no adjustments)
- you can’t see the background, but you can tell that there is one
- the doll is evenly lit from all sides
Now, the fun part where I tell you the secrets about how incredibly easy this was. We’ll start with the list of what was NOT used:
- a light box
- studio lights
- flood lights
- Ott lights
- flashes (either on-camera or remote)
- room lights
See, I took out all the complicated stuff and we’re left with what? Natural lighting, of course. The shot was just taken this morning. The sun was up but still pretty low in the sky. The sky was overcast to the point where it was difficult to see any shadows from trees or buildings outside. Our house has this room with one large, south-facing window. Take a look at the drawing below to see how the shot was set up (click and zoom to get a better view).
You see, the only light source was indirect daylight coming in through the window. But the white background (which, by the way, curved seamlessly under the dolls feet) and the homemade aluminum foil reflector (foil wrapped around a thin cardboard box) was enough to make it look almost as good as a studio lighting shot. This is without a doubt the easiest, least expensive way to get good indoor shots. Try it! Don’t be afraid to experiment. Try different windows and times of day. Try different reflector sizes and positions. Play with different background materials. And don’t forget everything your learned in my “Get the Blur Out” post.
Until next time … Happy Shooting!